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Feature, Film 0

ATB’s Top Films of 2013

By AboutToBlow @AboutToBlowBlog · On January 6, 2014


With the long and difficult process of film distribution internationally, it’s hard to know what really qualifies in what year. For example, Steve McQueen’s 12 Years a Slave looks likely to win Best Film and Director awards at the most famous ceremonies this year – and probably deservedly so – but us mere mortals in the UK won’t see the film until January 2014. And then the wonderful I wish hit cinemas all the way back in January this year, but was originally released in Japan in 2011, so while it may be unfair, labelling it as one the best films of this year doesn’t quite fit. Then there is the hundreds of annual film festivals globally, and far from enough time to visit them all. Thus we haven’t had to chance to check out A Touch of Sin, master filmmaker Claire Denis’ Bastards or Saudi-Arabian breakthrough Wadjda, nor The Selfish Giant or The Great Beauty. Spike Jonze’s Her has received acclaim, and while unlikely to better any of the those listed below, a film with Joaquin Phoenix is often worth seeing for his acting alone.

Some other honourable mentions are All Is Lost, Drinking Buddies, The Grandmaster, Gravity, Mea Maxis Culpa: Silence in the House of God, (The first third of) The Place Beyond the Pines, The Spectacular Now.
Without further ado, the nine best films of the year, cos there weren’t quite ten.
(in alphabetical order… there’s a lot of B’s):
The Act of Killing – The most important film in 20 years?
Joshua Oppenheimer
Living legend Werner Herzog and documentarian master Errol Morris have championed this film and succeeded in bringing it to the mainstream consciousness. It’ll make you want to throw up, it’ll teach you, but ultimately it will amaze you – for better or worse!

Before Midnight – The end to the perfect trilogy
Richard Linklater
Before Midnight is a film that can be enjoyed alone, but you’re doing yourself a huge favour watching them all in order. Linklater has gifted us with a perfect trilogy that selfish fans, like us, hope grows to a quartet and beyond.

Beyond the Hills – The arthouse shocker
Cristian Mungiu
You simply haven’t seen an exorcism film like this before. Don’t expect a horror, expect a very slowly paced drama equally devastating and provocative.

Blue Caprice – The unconventional horror
Alexandre Moors
Moors’ feature film debut is an ambitious one, tackling. Isaiah Washington’s performance is electric, and the film’s gaze is both terrifying and contemplative. It plays out like a horror film, maybe an artistic werewolf or vampire film – two men devolving and disassociating themselves from the world around, perhaps at the hand of Washington’s character. It may not help you understand it’s characters, but it will raise many questions.

Blue is the Warmest Colour - The tearjerker
Abdellatif Kechiche
A lot of controversy needlessly surrounded the film. The sex scenes are quite long, but not pornographic as the timid may claim. What you have is a powerful love story and journey of self-discovery that captures the romance in a very french way, yet always rings honest.

Nebraska – The “bleakly uplifting” film
Alexander Payne
Rarely does the theme of time get captured so exquisitely in a medium which is relatively quite a short running time. Nebraska hints and nods, but never goes unnoticed. Bruce Dern, and all the cast really, give performances to be proud of, and help to characterise a part of America so often forgot, while playing out a really beautiful story.

Only God Forgives – The controversial art masterpiece
Nicolas Winding Refn
One of the boldest films this year. A double edged sword: primitive, base & raw, yet also intellectual, layered & academic. Auteur NWR has definitely reached a peak in what he considers his second life as a filmmaker – let’s bring on the exciting next cycle!

Prisoners – The wolf in sheeps clothing

Denis Villeneuve
A tight, thriller screenplay, insightful and thrilling performances from all the cast, not just the leads, and brilliant direction coupled with cinematographer Roger Deakins’ wonderful use of light and shadow. There is a lot going on in this film if you want to look for it; a contemplation on modern America and human primitiveness. His follow up Enemy (albeit actually filmed before Prisoners) is out in a few weeks.
Spring Breakers – The lucid zeitgeist
Harmony Korine
A magnetic, lucid trip into the heart of youth – exaggerated and somehow also honest. The film probably disappointed almost as many as it surprised; but that’s the genius of Korine’s casting of Disney princesses. A social commentary or a daydream-cum-nightmare? It’s wonderful.For more thoughts on film, keep following About To Blow, and check @James_A_George
Best Films of 2013Best MoviesFilmMovie
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